Articles
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A Chorus of Ears
Negotiating History, Curation, and Community Partnership in The Soundwalk Project
Nicole Vilkner
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A Collaborative Timeline
Fostering Student Agency in the Music History Survey
Sarah Koval, Marie Comuzzo
Reviews
Special issue: Music in Enlightenment Contexts–A Collaborative Volume of Undergraduate Research
Introduction
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Writing, Evaluation, and Oral Examination in Undergraduate Music History Classes in the Age of GenAI
The Coauthored Volume as Collaborative Research Project
Ellen Lockhart
Part 1: Sensibility, Genre, and Social Critique
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Figaro’s Social Reversals
Genre Poetics and How Comedy Works
Aliya Lynden
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Enlightenment Dance Styles in Mozart’s Le nozze di Figaro
Jeremy Lau
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Sensibility in Print
C. P. E. Bach’s Gellert Lieder and the Ideals of Civic Cultivation
Vito Park
Part 2: Institutions, Markets, and Publics
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Lowly Art, Booming Market
Music’s Commercial Paradox
Anastacia Zavgorodniy
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Le graduel romain and the Intersections of Religion, Politics, and Music Printing
Lydia Dillenbeck
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Marianna Martines
A Forgotten Composer of the Enlightenment
Siri Ducharme-Leblanc
Part 3: Senses, Science, and Musical Knowledge
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The Herschel Household
Musical Labor and Domestic Science
Trinity Thai
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On the Verge of Sublimity
Where Does Music Belong in Kantian Aesthetic Judgment?
Charles Zhu
