Vol. 7 no. 2 (2017)

Digging in Your Own Backyard

Archives in the Music History Classroom

James Ryan O’Leary, Danielle Ward-Griffin


“Long-braided Lolitas,” or Teaching Undergraduate Music History in a Study Abroad Context

Laura E Kennedy, Patrica Puckett Sasser


Music History Beyond the Classroom

Active Learning through Local History

Kristen Strandberg


Critical Thinking and Writing Strategies in the Music Bibliography Classroom

Alexandra Monchick


Framing an Interdisciplinary Approach to Film

Teaching Amadeus

Nancy Rachel November, Brenda Allen


Student Performance in the Music History Sequence

Current Practices and Suggested Models

Amanda Lalonde


Ibero-American Music and the Music History Curriculum

Reform, Revolution and the Pragmatics of Change

Susan Thomas


The Digital Humanities and Teaching Iberian and Latin American Music History

Drew Edward Davies


The “Here and Now”

Stories of Relevancy from the Borderlands

Ana R. Alonso-Minutti


Using Latin American and Iberian Film Music

Classroom Methodologies

Jacqueline Avila


Diversity, Tokenism, Non-Canonical Musics, and the Crisis of the Humanities in U.S. Academia

Alejandro L. Madrid


Review of Wayne Bailey, In Performance

Toni L. Casamassina


Review of Elizabeth Haddon and Pamela Burnard, ed. Creative Teaching for Creative Learning in Higher Music Education

Reeves Shulstad