Vol. 4 no. 2 (2014)

Douglass Seaton: An Appreciation

Jennifer L. Hund


Some Thoughts about Teaching Music History

A Conversation with Douglass Seaton

Timothy D. Watkins


Jane Austen’s Playlist

Teaching Music History Beyond the Canon

Marian Wilson Kimber


Making Students Make Music

Integrating Composition and Improvisation into the Early Music Classroom

James A. Grymes, John Allemeir


What is the Discipline of Music Appreciation? Reconsidering the Concert Report

Jennifer L. Hund


Student Engagement through Faculty Engagement

Faculty Learning Communities as Professional Development

Reeves Shulstad


Engaging with Research and Resources in Music Courses

Jennifer Oates


Beyond Coverage

Teaching for Understanding in the Music History Classroom

Timothy Mark Crain


Second Biennial Conference of the East Asian Regional Association of the International Musicological Society (October 2013)

“Teaching Western Music History in 2013” in East Asia

Brian C. Thompson


Teaching Music History at the School of Music at Soochow University

An Interdisciplinary Approach to Western Music as a Living Tradition

Annie Yen-Ling Liu


Teaching Music History at National Taiwan University

Western Music in a World Context

Jen-yen Chen


Topologies

The Popular Music Survey Course and the Posthumanities

Justin D Burton


Teaching Music History at Hong Kong Baptist University

Problem-Based Learning and Outcome-Based Teaching and Learning

Hon-Lun Yang


Beyond the Narrative

Considering the Larger Pedagogical Toolbox for the Popular Music Survey

Joanna Love


Teaching Music History at the Chinese University of Hong Kong

“Reading” History

Brian Christopher Thompson


Teaching Music History at the Chinese University of Hong Kong

Course Content, Textbooks, and Online Tools

Joseph E. Jones


Teaching Music History at Hong Kong Baptist University

Confessions of a Skeptic

David Francis Urrows


Music in America 1860-1918: Essays, Reviews, and Remarks on Critical Issues

Timothy Mark Crain


James Parakilas, The Story of Opera

Brian J. Hart