Articles
Centering Capitalism in Music History Pedagogy
John R. Pippen
Code-Meshing in the Music History Classroom
Connecting Repertoire, Writing, and Assessment
Kimberly Hannon Teal
Special Issue: Global Music History Course Design
The Promise and Pitfalls of Global Music History Pedagogy
Introduction by the Guest Editor
Gavin S. K. Lee
Towards a Global Baroque
Unbinding Time, Temporality, and the “European” Tradition
Makoto Harris Takao
Five Decolonial Narratives in Global Music History
Gavin S. K. Lee
Music and Empire
South & Southeast Asia, c. 1750-1950
Katherine Butler Schofield
An Undergraduate Syllabus for “Global Music History”
Olivia Bloechl
Slave Orchestras, Choirs, Bands, and Ensembles
A Bibliography
Jon Silpayamanant
